- Europe (1)
- Social sciences (2)
- Jefferson, Thomas, 1743-1826
- African American men (1)
- Credit--Management (1)
- Great Britain--Colonies (1)
- Politics and government (1)
- Portrait prints (1)
- Portraits (1)
- Slavery (1)
- United States--History--Civil War, 1861-1865 (1)
Type of Item
- English (2)
Interview with Fountain Hughes, Baltimore, Maryland, June 11, 1949
Approximately 4 million slaves were freed at the conclusion of the American Civil War. The stories of a few thousand have been passed on to future generations through word of mouth, diaries, letters, records, or written transcripts of interviews. Only 26 audio-recorded interviews of ex-slaves have been found, 23 of which are in the collections of the American Folklife Center at the Library of Congress. In this interview, 101-year-old Fountain Hughes recalls his boyhood as a slave, the Civil War, and life in the United States as an African American ...
A Summary View of the Rights of British America: Set Forth in Some Resolutions Intended for the Inspection of the Present Delegates of the People of Virginia, Now in Convention / by a Native, and Member of the House of Burgesses
This pamphlet is Thomas Jefferson’s personal copy of A Summary View of the Rights of British America, which he originally drafted in July 1774 as a set of instructions for the Virginia delegates to the first Continental Congress. Jefferson argued that the British Parliament had no rights to govern the colonies, which he claimed had been independent since their founding. He also described the usurpations of power and deviations from law committed by King George III and Parliament. Jefferson was not present in the Virginia House when his draft ...
Thomas Jefferson, Head-and-Shoulders Portrait, Facing Right
Thomas Jefferson was the third president of the United States of America and one of the founding fathers of the republic. With the nation still in the process of solidifying its identity, political figures became a popular subject for contemporary artists, much as kings, aristocracy, and religious figures had been in the past. Portrait painters also hoped to earn money by painting politically important individuals, either from the subject himself or from enthusiasts in his entourage. The French artist Charles Balthazar Julien Fevret de Saint-Mémin (1770-1852) did two engravings of ...