- Liturgies (2)
- Butterflies (1)
- Musical notation (1)
- Musical scores (1)
- Old Believers (1)
- Orthodox Eastern Church (1)
- Psalms (Music) (1)
- Songs, English (1)
- Whitman, Walt, 1819-1892 (1)
Type of Item
The Irmologion, “Rozniki,” and Feasts: A Liturgical Compilation with Hook Notation
An Irmologion is a liturgical book of the Eastern Orthodox Church and of some Eastern Rite Catholic Churches. It contains texts for singing in church called irmoi (introductory hymns, and sometimes concluding ones) for canons chanted at Matins and other services throughout the liturgical year. The term Irmologion comes from the Greek words for “link” and “to collect.” Rozniki (chants used for some specific occasions, such as Christmas and Easter) were mostly sung in Old Believer communities, who rejected 17th century reforms in the official Russian Orthodox Church. This work ...
The Garden of the Virgin Mary
The 1510 manuscript Jungfru Marie örtagård (The Garden of the Virgin Mary) is the work of an anonymous nun at the Brigittine monastery at Vadstena in eastern Götaland, Sweden, and is the sole surviving source for the Swedish psalms, collects and lessons, hymns, and commentaries used in daily office by the nuns at the monastery. From the late 14th century to about 1530, the Vadstena monastery contributed significantly to the development of a nascent Swedish cultural identity, largely through the language that developed and was taught there. Most of the ...
Olney Hymns: In Three Books
Olney Hymns was compiled by John Newton, the author of "Amazing Grace" and rector of a parish in Olney, England, and William Cowper, a poet and close friend of Newton. The book contained the first printing of "Amazing Grace," which is numbered "Hymn 41" and begins at the bottom of page 53. The profits from the hymnal went to the benefit of Olney's poor. Olney Hymns later was published in New York in 1790 and in Philadelphia in 1791. In his preface to the book, Newton argued that hymns ...
Walt Whitman's Cardboard Butterfly
Shown here is the brilliantly colored cardboard butterfly that belonged to the American poet Walt Whitman. In 1877 Whitman had a photograph taken by W. Curtis Taylor of Broadbent & Taylor in Philadelphia of himself holding the butterfly, a portrait Whitman intended to use as the frontispiece for a new edition of Leaves of Grass. To foster the image of himself as one with nature, he claimed that insect was real and one of his "good friends." In fact, the die-cut cardboard butterfly was clearly a photographic prop. Now in the ...