57 results in English
Everyday Kyrgyz Pastimes. Preparation for a Horse Race
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Everyday Kyrgyz Pastimes. Kok-Boru, a Traditional Sport Played on Horseback with the Carcass of a Goat
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. Horse Race, Perhaps a Bride Kidnapping
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Saddle Gear of Central Asians. Karakyrgyz Saddle Gear
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Saddle Gear of Central Asians
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Saddle Gear of Central Asians
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Saddle Gear of Central Asians. Horse Racing Saddle Gear
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. City of Chimkent and Its Types of Street Life
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. City of Chimkent and Its Types of Street Life
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. City of Dzhizak and the Types of People Seen at the Market. Briquette Vendor
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. City of Tashkent. Moscow Street
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Street Types of Central Asian Cities. A Man and Woman Astride a Horse
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Street Types of Central Asian Cities. A Woman and Boy Astride a Horse
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Street Types of Central Asian Cities. Man on a Horse next to Two Women Riding on a Camel
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Street Types of Central Asian Cities. A Mazang Woman Astride a Horse
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Zeravshan District. City of Samarkand and the Types of People Seen in Its Streets. A Day Laborer
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Zeravshan District. City of Samarkand and the Types of People Seen in Its Streets. Straw Vendor
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Zeravshan Okrug. Nomad Migration near the Village of Piandzhshambe Siab
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
White Horsemen; Lion Hunt
These sketches are from a set of 27 drawings on 15 sheets that was discovered in the National Library of South Africa in 1986. The drawings are important for presenting the earliest realistic depictions of the Khoikhoi, the original inhabitants of the Western Cape. The top sketch shows armed colonists on horseback; the correction to the drawing suggests that there was only one acceptable way to carry a musket. The bottom sketch shows a trap set to catch a lion, which is being fired at from the undergrowth on the ...
Garland Entry, Ringling Bros. and Barnum & Bailey Circus, 1930
This photograph shows horses and riders of the "Fete of Garlands" or "Garland Entry" assembling in the back yard of the Ringling Bros. and Barnum & Bailey Circus before going into the big top tent. Various tents and baggage wagons can be seen in the background. The image is a good example of the size and complexity of a “spec” performance in a large American circus. The spectacle, or “spec,” developed as a procession that took place around the hippodrome track inside the big top, or circus tent, featuring as many ...
Contributed by Circus World Museum
Place Vendôme; General Staff Officers Supervising Felling Measures of the Column
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme. Preparations for the Column Felling
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Local Rodeo
This photograph from El Salvador shows a rodeo in an open field, with a horseback rider performing while spectators, some on horseback, some standing, and some in trucks, look on. The photograph is from the collection of the Columbus Memorial Library of the Organization of American States (OAS), which includes 45,000 photographs illustrative of life and culture in the Americas. Many of the photographs were taken by prominent photographers on OAS missions to member countries. The OAS was established in April 1948 when 21 countries of the western hemisphere ...
Franc à cheval, John II
The franc à cheval was ordered issued on December 5, 1360 to finance the ransom of King John II (born 1319; reigned, 1350–64), who had been taken prisoner by the English at the Battle of Poitiers in 1356, during the Hundred Years’ War. The ransom totaled a vast 3 million écus, and the fact that the coin was used to secure the release of the king gave rise to the name by which it was known: franc, meaning free. The value of the coin was set at one livre ...
A Chinese Government Officer, Head of Cantonment of Cavalry, in Official Uniform on His Horse. Hubei Province, China, 1874
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
A Chinese Military Officer, Tidu, in Official Uniform on His Horse. Hubei Province, China, 1874
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
Gustavus Adolphus, by the Grace of God, King of the Swedes, Goths, and Vandals, the Great Prince of Finland, the Duke of Estonia and Karelia, and Lord of Ingria
During its age of imperial greatness in the 17th and early 18th centuries, Sweden was an important European power. Sweden’s rise in stature coincided largely with the 1611–32 reign of King Gustavus Adolphus. Under his leadership, Sweden increased its military capacity, seized significant territories on the continent of Europe, and championed Lutheranism at a time of great confessional strife. This copper engraving depicts the king at the zenith of his career. The engraving is by Lucas Kilian, a Dutch- and Italian-trained artist who lived most of his life ...
Arab Men Racing Horses While Crowd Looks on, Tents in Background
At the conclusion of World War I, the victorious allies named Britain the mandatory power for Palestine, Transjordan, and Iraq, all former territories of the Ottoman Empire which, with Germany, had been defeated in the war. In April 1921, the British convened meetings of Arab and British officials at Amir Abdullah ibn Hussein's camp at Amman, during the course of which British High Commissioner Herbert Samuel proclaimed Amir Abdullah the ruler of the new Emirate of Transjordan. This photograph, taken at these meetings, shows a group of Arab men ...
Contributed by Library of Congress
Chinese Gentleman and Stableboy Exchanging a Light with their Pipes
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Suzuki Harunobu (circa 1725–70) was a central figure in developing ...
Contributed by Library of Congress
At the Front! Every Fit Briton Should Join Our Brave Men at the Front. Enlist Now
Until March 2, 1916, when the Military Service Act introduced conscription, Great Britain’s World War I army was comprised entirely of volunteers. Many of the most famous wartime posters were recruitment appeals. This 1915 poster, published in London for the Parliamentary Recruiting Committee, shows cavalry in battle, with horses reacting to an explosion in the foreground. It calls upon every physically and mentally fit Briton to enlist. The Parliamentary Recruiting Committee was set up following the outbreak of war in August 1914. A cross-party organization chaired by the prime ...
Contributed by Library of Congress
Compagnie Algérienne. Subscribe. Liberation Loan
This poster from 1918, the last year of World War I, advertises the “Liberation Loan” issued by the French government. Parts of France had been occupied by Germany since 1914, and by 1918, the exhausted French people were hoping for victory and the liberation of occupied territory. Algeria was an overseas territory administered as an integral part of France, and this poster was commissioned by an Algerian financial institution, the Compagnie Algérienne, seeking subscribers to the loan. The poster shows an Algerian man, presumably a warrior, on horseback. Around 500 ...
Contributed by Library of Congress
Following the Paths of Our Fathers in the Ranks of the Polish Army for Motherland and Freedom
This World War I poster shows a winged knight on a horse, heading into battle. The text, in English and Polish, encourages men of Polish origin living in the United States to enlist in the Polish army. Poland had been partitioned by Russia, Prussia, and the Austrian Empire in 1795, and its sovereignty was not restored until 1918. Thus, there was no independent Poland during World War I. But many Poles believed that the cause of national independence could be furthered by supporting Britain, France, and Russia against the Central ...
Contributed by Library of Congress
The American Ambulance in Russia
This World War I poster, published in New York circa 1917, solicits funds for a volunteer American ambulance company in Russia. American ambulance services on the Western front in France were extensive and well-organized; this poster advertises a much smaller effort on what was then the Eastern front of the war. The poster shows a medieval Russian soldier on horseback carrying a Russian flag, with a caption, in Russian, stating: “Military loan. Forward for the Motherland.” The illustration is signed by the artist, A.O. Maksimov. Russia was at this ...
Contributed by Library of Congress
Farewell Present of Useful White Flag, Which Russian General's Wife Thoughtfully Gives When He Leaves for Front, Telling Him to Use It As Soon As He Sees Japanese Army
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Soldier on Horseback, Carrying a Sword in Right Hand, a Spear in Left Hand, and a Rifle Mounted on His Chest with a String Extending from the Trigger to His Mouth
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Soldier Shows White Flag Plainly to Japanese Army: “Oh! Say, Can You See?”
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
People of Various Nations: Russians, French
After nearly two centuries of restricted foreign contact, Japan was increasingly exposed to Western culture in the 1850s as new trade agreements prompted cross-cultural interaction. The influx of unfamiliar technology and customs incited anxiety as well as awe among the Japanese populace, and their strong curiosity is evident in the detailed depictions of foreign subjects by ukiyo-e (pictures of the floating world) artists. This print, published in 1861, from the series Bankoku jinbutsu no uchi (People of the various nations), is by Utagawa Yoshitora (flourished 1850–70), one of the ...
Contributed by Library of Congress
Portraits of Foreigners: English, French
After nearly two centuries of restricted foreign contact, Japan was increasingly exposed to Western culture in the 1850s as new trade agreements prompted cross-cultural interaction. The influx of unfamiliar technology and customs incited anxiety as well as awe among the Japanese populace, and their strong curiosity is evident in the detailed depictions of foreign subjects by ukiyo-e (pictures of the floating world) artists. This print, from the series Gaikokujin no zu (Portraits of foreigners), is by Utagawa Yoshitomi (flourished 1850–70), a pupil of the popular ukiyo-e artist Utagawa Kuniyoshi ...
Contributed by Library of Congress
America
After nearly two centuries of restricted foreign contact, Japan was increasingly exposed to Western culture in the 1850s, as new trade agreements prompted cross-cultural interaction. The influx of unfamiliar technology and customs incited anxiety as well as awe among the Japanese populace, and their strong curiosity is evident in the detailed depictions of foreign subjects by ukiyo-e (pictures of the floating world) artists. Hiroshige II (circa 1826–69) was the pupil and adopted son of the great landscape master, Utagawa Hiroshige (1797–1858), and produced this work in 1860. In ...
Contributed by Library of Congress
General View of The Plains, Province of Casanare
This watercolor by Manuel María Paz (1820−1902) shows the plains in the eastern part of Colombia, known as the Llanos, which are vast open grasslands. The sparsely populated northern plains lie east of the Colombian Andes, largely in present-day Casanare and Vichada Departments where the traditional economic activity was raising cattle. The Llanos also stretch south to the tropical Orinoco River basin and to Venezuela. The watercolor is typical of Paz’s work, which captured the diversity of the population of Colombia and depicted the daily activities and traditional ...
Campesinos of Cali, Province of Buenaventura
This watercolor by Manuel María Paz (1820−1902) shows three campesinos (Amerindian and mixed-race farmers or farm laborers) in a rural area of Cali, in what was then the province of Buenaventura in western Colombia. Cali is now the capital of Valle del Cauca Department. The watercolor is typical of Paz’s work, which captured the diversity of the population of New Granada and depicted the daily activities and traditional customs of the country’s different ethnic, racial, and social groups. Paz was born in Almaguer in the province of ...
Water Bearers, Province of Cauca
This watercolor by Manuel María Paz (1820−1902) shows water bearers in the Province of Cauca (present-day Cauca Department), in southwest Colombia. The woman balances an enormous earthenware water pot on her head, while the man rides a horse carrying cylindrical containers made of bamboo or palm canes. The watercolor is typical of Paz’s work, which captured the diversity of the population of New Granada and depicted the daily activities and traditional customs of the country’s different ethnic, racial, and social groups. Paz was born in Almaguer in ...