48 results
Antiquities of Samarkand. Tomb of the Emir Timur Kuragan (Gur-Emir). One of the Doors
This sketch of a door at the Gur-Emir mausoleum in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage, including Gur-Emir (Persian for “tomb of the ruler”). Although known primarily as the burial place of Timur (Tamerlane), Gur-Emir was begun by Timur in 1403 to ...
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Syr-Darya Oblast. City of Turkestan. External Door Leading to the Mausoleum of Saint Sultan Akhmed Iassavi
This photograph of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his grave site. Built in 1396-98, the mausoleum displays features of ...
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Antiquities of Samarkand. Palace of the Bukharan Emirs, "Kok Tash." Door to the Reception Hall of the Emirs
This photograph of the interior of the palace of the emirs of Bukhara in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage. The emirs of Bukhara ruled Samarkand after the expulsion of the Timurids in the early 16th century. Their palace was referred to ...
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Antiquities of Samarkand. Tomb of Saint Kusam-ibn-Abbas (Shah-i Zindah) and Adjacent Mausoleums. Front of the Entry Niche, Arches from Outside
This view of the main entrance portal (darvozakhana) of the Shah-i Zindah necropolis in Samarkand is from the archeological part of Turkestan Album. The lavish edition in six volumes was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general, in 1867-86, of Turkestan, as the Russian Empire’s Central Asian territories were called. The primary compilers for the visual material were Aleksandr L. Kun, an Orientalist attached to the army, and Nikolai V. Bogaevskii, a military engineer. They devoted special attention to Samarkand’s ...
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Antiquities of Samarkand. Tomb of the Saint Kusam-ibn-Abbas (Shah-i Zindah) and Adjacent Mausoleums. Mausoleum of Akhmad Khodzha. Facade
This photograph of the Khodzha Akhmad mausoleum at the Shah-i Zindah necropolis in Samarkand is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general, in 1867-86, of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Tamerlane and his successors. Shah-i Zindah (Persian for “living king”) is revered as a ...
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Antiquities of Samarkand. Mausoleum of the Emir Timur Kuragan (Gur-Emir). Main Door on the Northern Facade
This photograph of the interior of the Gur-Emir mausoleum in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage, including Gur-Emir (Persian for "tomb of the ruler"). Although known primarily as the burial place of Timur (Tamerlane), Gur-Emir was begun by Timur in 1403 to ...
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Library of Congress
Antiquities of Samarkand. Mausoleum of the Emir Timur Kuragan (Gur-Emir). Inscription on One of the Doors
This photograph of a door panel at the Gur-Emir mausoleum in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage, including Gur-Emir (Persian for “tomb of the ruler”). Although known primarily as the burial place of Timur (Tamerlane), Gur-Emir was begun by Timur in 1403 ...
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Library of Congress
Antiquities of Samarkand. Mausoleum of the Emir Timur Kuragan (Gur-Emir). Inscription over the Door in the Corridor
This photograph of an arch niche at the Gur-Emir mausoleum in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage, including Gur-Emir (Persian for “tomb of the ruler”). Although known primarily as the burial place of Timur (Tamerlane), Gur-Emir was begun by Timur in 1403 ...
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Antiquities of Samarkand. Mosque of Khodzha Abdu-Berun. Prayer Niche (mihrab) on a Panel of the Main Arch of the Facade
This photograph of the mausoleum at the Khodzha Abdu-Berun memorial complex in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage. The Khodzha Abdu-Berun memorial complex (khanaka) was dedicated to a revered 9th-century Arab judge of the Abdi clan, with the word berun (outer) added ...
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Antiquities of Samarkand. Madrasah of Tillia Kari. Main Facade (Southern). Door to the Inner Courtyard
This photograph of the door of the main entrance to the Tillia Kari Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the ...
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Antiquities of Samarkand. Madrasah of Ulugh Beg. Main Facade (Eastern). Door Leading to the Inner Courtyard
This photograph of a door leading to the inner courtyard of the Ulugh Beg Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is ...
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Antiquities of Samarkand. Madrasah of Ulugh Beg. Entrance to the Congregational Mosque
This photograph of the mosque at the Ulugh Beg Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the Registan ensemble, composed of ...
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Old Royal Gates in the Church of the Assumption of the Mother of God. Deviatiny. Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Old Gates in the Church of the Assumption of the Mother of God. Deviatiny. Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Entrance into the Church of Saint Nicholas the Pleaser. Kirillov-Belozerskii Monastery, Kirillov, Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Site of the Imprisonment of the Vorotynskii Princes. Kirillo-Belozerskii Monastery, Kirillov, Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Entrance into Trinity Cathedral in the Solovetskii Monastery. Solovetski Islands
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Entrance into the Church of Simon Kanonit. Novyi Afon Monastery
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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General View of Dabskii Monastery
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Entrance in Dabskii Monastery
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Entrance into the Monastery
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress