9 results in English
Beauties of Yoshiwara
Seirō Bijin Awase (Beauties of Yoshiwara) is one of the finest multicolored woodblock printed books in Japan. It was published in 1770. The book depicts 166 courtesans of the Yoshiwara, the pleasure quarter in Edo (present-day Tokyo), with the names of the courtesans and the brothels where they worked, with a haiku (a short poem) in the background of each illustration. The work consists of five sections in five chapters. The original title slip on which the book title and the volume title were printed is attached to the center ...
Contributed by National Diet Library
Courtesan
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Shunshō (1726–93) was a leading artist of the Katsukawa school ...
Contributed by Library of Congress
Courtesan Gazing at Nihon Embankment
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Bijin-ga (pictures of beautiful women) capture the trends in feminine beauty ...
Contributed by Library of Congress
Kinko and Echizen
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Black-and-white compositions like this one are known as sumizuri-e because they ...
Contributed by Library of Congress
The Courtesan Hanao of Ōgi-ya
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This aizuri-e (indigo-printed picture) is a panel from a triptych. Various ...
Contributed by Library of Congress
The Courtesan Usugumo of Tama-ya
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This aizuri-e (indigo-printed picture) is a panel from a triptych. Various ...
Contributed by Library of Congress
Sanogawa Ichimatsu III in the Role of the Courtesan Onnayo of Gion and Ichikawa Tomieimon in the Role of Kanisaka Tōma
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This print is a modern reproduction of an older work by ...
Contributed by Library of Congress
The Courtesan Shigeoka of Okamoto-ya; The Courtesan Sugatano of Sugataebi-ya; The Courtesan Hanamurasaki of Tama-ya
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Bijin-ga (pictures of beautiful women) capture the trends in feminine beauty ...
Contributed by Library of Congress
House of Ichizuke
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Kitagawa Utamaro was a highly influential ukiyo-e artist, known in Japan ...
Contributed by Library of Congress