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13 results
Compilation of Images of Ancient Objects from Private Collections in Kiev
This collection of images was put together by the Kiev amateur archaeologist Nikolaj Leopardov and numismatist Nikolaj Černev, who also collaborated in writing the introduction and explanatory texts. The images of crosses, icons, and other religious items and brief descriptions of them are included in Part I of the book. Part II contains the images of objects from the Bronze Age, mostly axes and knives, and Jewish Cabalistic amulets and coins. Part III contains the images and description of some of the thousands of medieval lead commercial seals from Drohiczyn ...
Contributed by
National Parliamentary Library of Ukraine
General Record of the Conversion of Silver and Gold of Different Measures of Purity and Weight, in Various Quantities: Their Value in Percentages and Other Rules and Recommendations Indispensable to the Viceroyalty of Peru
Libro general de las redvciones de plata, y oro de diferentes leyes y peʃos, de menor á mayor cantidad, y de ʃus intereʃʃes á tanto por ciento, con otras reglas, y auiʃos muy neceʃsarios para eʃtos reynos del Piru (General record of the conversion of silver and gold of different measures of purity and weight, in various quantities: Their value in percentages and other rules and recommendations indispensable to the viceroyalty of Peru) was published in Lima, Peru, in 1597. The first printing press in South America was established in ...
Contributed by
National Library of Peru
Subscribe to the 8th War Loan
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This poster, published in Vienna in 1918, shows a little girl reaching through a number "8" to deposit a coin into a pile below, an advertisement for the eighth war loan being raised by Austria-Hungary, Germany’s chief ally in the war. The artist who designed the poster was Alfred Offner. Born in Czernowitz in 1879, Offner was a painter and graphic artist who was associated with the Vienna Secession, a group ...
Contributed by
Library of Congress
Union Bank, 8th War Loan; Peace Through Victory
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This poster, published in Vienna in 1918, is an advertisement for the eighth war loan being raised by Austria-Hungary, Germany’s chief ally in the war. It shows a young woman offering a bowl of coins at an altar decorated with the Austrian coat of arms. The artist was Thomas Fasche, who created several other World War I posters, but about whom little is known.
Contributed by
Library of Congress
Give Your Money for Victory: Victory Means Peace
This World War I poster urges Italians to contribute their money to the cause of victory, which will bring peace. The poster shows a cannon resting on a pile of coins, pointing upwards toward the mountains. After entering the war on the side of the Allies in May 1915, Italy mainly engaged in fighting the forces of the Central powers (Austria-Hungary and Germany) along its mountainous northeastern frontier with Austria-Hungary. This poster was sponsored by the Banca Italiana di Sconto (Italian Discount Bank), a financial institution that was founded in ...
Contributed by
Library of Congress
In the Borodino Museum. Borodino
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by
Library of Congress
Turn Your Silver into Bullets at the Post Office
During World War I, the British government relied heavily on loans to finance the war effort. The Treasury issued its first war loan in November 1914 at an interest rate of 3.5 percent, followed by a second loan in June 1915 at 4.5 percent. Citizens were exhorted to forgo consumption and put their savings into the loans. This 1915 poster shows a pair of cupped hands overflowing with silver coins; the coins turn into bullets as they fall. In the background, there is a scrip voucher for the ...
Contributed by
Library of Congress
Denier
Charlemagne (742–814) was crowned emperor of the Romans in 800. Yet coins bearing his imperial title are so rare that it is believed that he had them minted only after 812, when he received recognition as emperor of the West by the emperor of the Eastern Roman Empire. This denier silver coin is typical of those produced during the Carolingian Renaissance, a period in which art, culture, and religion flourished under the influence of Charlemagne. Such coins include a classical imperial bust and a reverse side often inspired by ...
Contributed by
National Library of France
Royal Coin, Francis I. Sample Teston
This gold sample teston (16th-century French silver coin) representing the King Francis I (1494–1547; reigned, 1515–47) of France is one of the most characteristic monetary expressions of the Renaissance. The realistic portrait, classical inspiration, significant relief, and weight of the piece are all features that represent a break from the money of medieval times. The 19th-century numismatist, Henri de La Tour, showed that this 1529 coin was the work of Matteo del Nassaro (circa 1490–1547), an Italian artist from Verona who first entered the service of Francis ...
Contributed by
National Library of France
Royal Coin, Louis XIII. Ten Louis d'Or
The mechanization of the minting of coins from precious metals in France made possible the creation, in 1640, of the louis d'or, named after King Louis XIII (1601–43; reigned, 1610–43), who first introduced the coins. This series of gold pieces was part of a reform that changed the minting method from hammered coinage to a more precisely milled and weighed coinage. These coins included three types: the louis, the double louis, and the quadruple louis. It has been customary since the 17th century (incorrectly) to call the ...
Contributed by
National Library of France
In the Borodino Museum. Borodino
On September 7, 1812, during the invasion of Russia by Emperor Napoleon I of France, Russian and French armies clashed on the Borodino battlefield, situated to the west of Moscow. Although the battlefield became a revered site already in the 1820s and the first major monument was unveiled in 1839, the first museum at Borodino was opened only in 1903 at the initiative of P. Bogdanovich, the Borodino stationmaster. The museum exhibits, such as these photographed in 1911, were originally housed in the railroad station. Visible here in arrangement on ...
Contributed by
Library of Congress
Royal Coin, Philip VI, Chaise d'Or
The chaise d’or was a French gold coin, first issued in the early 14th century, bearing the figure of the king seated on a large throne. This coin, issued under Philip VI (born, 1293; reigned, 1328–50), shows the king in his majesty, seated facing forward on a Gothic throne, crowned, holding the scepter and hand of justice in a lobed trefoil. The reverse side has a four-lobed cross, with leaves and fleur de lis, curved at the heart, in a four-lobed trefoil bordered by four crowns. This type ...
Contributed by
National Library of France
The Gold and Silver Artificers of Philadelphia. In Civic Procession, 22 February 1832
The event shown in this lithograph is the civic procession held in Philadelphia on February 22, 1832, in honor of the centennial anniversary of George Washington's birth. Onlookers cheer the participants in front of the Second Bank on Chestnut Street, between 4th and 5th Streets. City officials and other prominent people of Philadelphia lead the parade, followed by tradesmen, volunteer fire companies, and the military. The top-hatted artisans (the artificers of the title, who struck special commemorative medals for the event) are led by a mounted parade marshal, their ...
Contributed by
The Library Company of Philadelphia