- Great Britain. Army (3)
- Afghan Wars (2)
- Battles (2)
- India. Army (2)
- Battles in art (1)
- Edward VII, King of Great Britain, 1841-1910 (1)
- Elephants (1)
- Horseback riding (1)
- Horses (1)
- Kings and rulers (1)
- Mountains (1)
- Recruiting and enlistment (1)
- Seven Years' War (1756-63) (1)
- War posters (1)
- World War, 1914-1918 (1)
- English (1)
Engagement in the Khost Country from a Drawing
This photograph of a drawing of a military engagement near Khost (now Khowst), Afghanistan, is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. The identity of the artist is unknown. The image appears to show a skirmish in late 1878–January 1879 that involved the Kurram Valley Field Force fighting against unidentified Afghan adversaries. In the foreground are massed British cavalry and dragoons (mounted infantry), while ahead of them infantrymen fire upon the enemy in the distance. A section of the ...
Elephant Battery on the March
This photograph is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. Elephants were commonly used as shock cavalry in the front lines of military campaigns throughout South and Southeast Asia until the end of the 19th century, when the introduction of advanced artillery and Gatling guns made them vulnerable to enemy fire. The British Indian Army, like their Mughal imperial predecessors, used war elephants to transport large quantities of cargo, but the main advantage of the elephant in late-19th-century military tactics ...
European Cavalry Battle Scene
This is the first in a pair of original gouache paintings by F. Oetinger showing a violent cavalry battle during the Seven Years' War (1756-63), a conflict that involved all the major European powers and was fought on the European continent as well as in the colonies; it became known as the first global war. As a result of the conflict, France lost most of its North American colonies, Prussia reemerged as the dominant power in Europe, and Great Britain emerged as the world’s most powerful nation. The painting ...
Royal Farewell to the Imperial Yeomanry: the Prince of Wales Shaking Hands with the Officers
This wash drawing on paper, mounted on board, is by Henry Marriott Paget (1856-1936), who created it for the British illustrated weekly newspaper, the Graphic, where it appeared on February 3, 1900. The drawing shows Albert Edward, the Prince of Wales (the future King Edward VII), saying farewell to the soldiers of the Imperial Yeomanry, a volunteer cavalry regiment established to fight in the Boer War. The first contingent of soldiers left for South Africa in February 1900. Paget was one of three brothers--Henry, Sidney Edward (1860-1908), and Walter Stanley ...
At the Front! Every Fit Briton Should Join Our Brave Men at the Front. Enlist Now
Until March 2, 1916, when the Military Service Act introduced conscription, Great Britain’s World War I army was comprised entirely of volunteers. Many of the most famous wartime posters were recruitment appeals. This 1915 poster, published in London for the Parliamentary Recruiting Committee, shows cavalry in battle, with horses reacting to an explosion in the foreground. It calls upon every physically and mentally fit Briton to enlist. The Parliamentary Recruiting Committee was set up following the outbreak of war in August 1914. A cross-party organization chaired by the prime ...