100 results in English
Carpathian Ruthenia
This album, probably published in about 1920, contains 20 photographs of scenes in Carpathian Ruthenia, a mountainous region, most of which was part of the Austria-Hungary before World War I, but which became part of the new Czechoslovak state in 1919. Today the largest portion of it forms Zakarpattia Oblast in western Ukraine, with smaller parts in Slovakia and Poland. The photographs depict the wooden churches that were central to the practice of Uniate Christianity (combining Roman Catholicism with the Eastern Rite), to which most Ruthenians converted from Eastern Orthodoxy ...
Nevitskoe. Ruins of the Castle
This image is part of an album probably published in about 1920 that contains 20 photographs of scenes in Carpathian Ruthenia, a mountainous region, most of which was part of the Austria-Hungary before World War I, but which became part of the new Czechoslovak state in 1919. Today the largest portion of it forms Zakarpattia Oblast in western Ukraine, with smaller parts in Slovakia and Poland. Construction of Nevitskoe or Nevitsky Castle, 12 kilometers north of Uzhhorod, began in the 15th century. A powerful Hungarian family, the Drugeths, built the ...
Kokand Khanate. City of Andidzhan. Palace of the Son of the Kokand Khan under Construction
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Kokand Khanate. City of Andidzhan. Palace of the Son of the Kokand Khan
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Kokand Khanate. City of Andidzhan. Gate to the Palace
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Kokand Khanate. City of Kokand. Palace of Said Khudoyar Khan, with Soldiers of the Kokand Khan's Army Standing Outside the Entrance, and a Russian Officer Standing in the Center
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Kokand Khanate. Solemn Reception in the Khan's Court at Assak
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Kokand Khanate. Gate of the Kokand Palace in the City of Kokand. Exterior View, with Soldiers of the Kokand Khan's Army Standing Outside the Entrance
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Kokand Khanate. Gate of the Kokand Palace in the City of Kokand. Soldiers of the Kokand Khan's Army Standing in the Interior Courtyard of the Palace
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Natives of Kandahar
This photograph of a large group of Kandahar residents is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. Kandahar, the second-largest city in Afghanistan, was occupied by the British Southern Afghanistan Field Force from September 1880 until April 1881, when all British forces withdrew from the country. This photograph is taken at a palace zenana (harem) quarters, which clearly were not being used by women at the time, given the presence of a large group of men and boys of different ...
Contributed by Library of Congress
Courtyard of Wali Sher Ali Khan's Zenana, by Sir Benjamin Simpson
This photograph of the ornately decorated courtyard of a palace in Kandahar is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. The photograph most likely was taken during the British occupation of Kandahar, which lasted from September 1880 to April 1881. It shows the exterior of the zenana, the women’s quarters of the palace of Sher Ali Khan, who was amir of Afghanistan for most of the period 1863–79. Sher Ali Khan was the son of Dōst Moḥammad Khān ...
Contributed by Library of Congress
The Fire at the Royal Castle in Stockholm, 1697
This engraving shows the fire of 1697 that destroyed Tre Kronor, the 16th–17th century royal castle that once housed the ruling monarchs of Sweden. As Sweden rose to become a great power, the dichotomy between its wealth, power, and ties to Europe and the spartan northern wooden structure that housed its rulers became ever more apparent. This was never more so than under Queen Christina (reigned 1632–54), who followed developments on the continent and succeeded in intellectually annexing Sweden to an international learned community. Scholars who made their ...
Views of Great Tibet
These handwritten notes accompany a collection of 50 photographs of central Tibet acquired from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society on August 2, 1904. The photographs in this collection were taken by two Mongolian Buddhist lamas, G.Ts. Tsybikov and Ovshe (O.M.) Norzunov, who visited Tibet in 1900 and 1901. The notes were written in Russian for the Imperial Russian Geographical Society by Tsybikov, Norzunov, and other Mongolians familiar with central Tibet. Alexander Grigoriev, corresponding member of the American Geographical Society, translated ...
Lhasa from the East
“Lhasa from the East” is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. In the background and nearly in the center of this photograph is the "iron mountain" Ch'agpori (also seen as Chagpori, Chiakpori, Chapori, Chakpori, Chaga, or Chag-pa hill in other sources) with the Man-ba Ta-ts'an (also seen as Man-bo-datsang or Vaidurya Ta-tsan), where Tibetan medicine was taught. On the right in the photograph is the hill Marpori with ...
Lhasa, Royal Monastery of Tengye-ling from Southeast
This view from the southeast of the Royal Monastery of Tan-gye-ling (also seen as Tangia Ling, Tangye-ling, or Tan gye Ling in other sources) is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. Tan-gye-ling was the monastic palace of Demu-khutuktu (also known as Demohutuktu), the late regent. In the distance are the “iron mountain,” Ch'agpori (also Chagpori, Chiakpori, Chapori, Chakpori, Chaga, or Chag-pa hill) on the left and the Dalai Lama ...
Lhasa, Amban's Yamen (Residence of Chinese Official) from Southeast
This view of the residence of the Amban (a Chinese official), seen from the southeast, is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. The duty of the Amban, according to J. Deniker in his 1903 article “New light on Lhasa, the forbidden city,” was “to watch over the Dalai Lama, the latter being nominally under subjection to China.” Deniker notes that the “house is a very modest dwelling, surrounded by walls ...
Lhasa, Ruins of Donkar-jong Castle
This view of the ruins of Donkar-jong castle on a hillside is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. According to the photographer’s notes, Donkar is a village on the route from Lhasa to Tashi-lhumpo (also seen as Tashi-lhunpo in other sources), about five miles (eight kilometers) to the west of Lhasa. The photographs in this collection were taken by two Mongolian Buddhist lamas, G.Ts. Tsybikov and Ovshe (O ...
Lhasa, Kunduling Monastic Palace from Southeast
This southeastern view of the Kunde-ling monastic palace (also seen as Kunduling or Kontia Ling in other sources) is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. The abbot of this monastic palace was regent (gyel bo or gyal-tsab) at the time of the 1882 visit to Lhasa by Sarat Chandra Das, who described passing the residence of the regent in his 1902 edition of Journey to Lhasa and Central Tibet: “. . . we ...
Ruins of the De-chen jong Castle
This view of the ruins of the De-chen jong castle, seen atop a large hill (also called De-ch’on jong in other sources), is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. According to the photographer’s note, the castle ruins were on the way from Lhasa to the Gah-Idan monastery (also seen as Gah-Dan). The photographs in this collection were taken by two Mongolian Buddhist lamas, G.Ts. Tsybikov and Ovshe ...
Lhasa, Potala Palace from South-Southwest
This southwestern view of Potala (the palace of the Dalai Lama) in Lhasa is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. This image was taken by G.Ts. Tsybikov during the festival he calls Ts'og Ch'od (also seen as Tsog Chod in other sources and called Sung ch'o in Tibetan) celebrated on the 29th day of the second moon of the Tibetan year. Two huge pictures hang on ...
Lhasa, Residence of the State Sorcerer
This photograph of Na-ch'un, the residence of the state sorcerer in Lhasa, is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society.  On the left side of the photograph is the Drepung monastery. In The Buddhism of Tibet or Lamaism (1899), L.A. Waddell writes: “Every orthodox monastery in Tibet, even of the most reformed sects, keeps or patronizes a sorcerer, and consults him and follows his dictates upon most matters; and ...
Lhasa, Gadan Kansar Palace, the Old Palace
This view of the Gadan Kansar Palace in Lhasa (also seen as Gadan-Khangsar in other sources) is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. In the article “New light on Lhasa, the forbidden city” (1903), J. Deniker writes: “Among other curious buildings in Lhasa, Norzunof was able to photograph the ancient palace of the kings of Tibet. This is falling into ruin, but is still occupied by private persons. The eastern ...
Lhasa, Marpori (Red Mountain) and Potala from the South-Southeast
This photograph shows Marpori (red mountain) and Potala, the palace of the Dalai Lama, in Lhasa, viewed from the south-southeast. It is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. In the 1901 article “Lhasa,” T.H. Holdich writes: “Potala derives its chief interest from the fact that it is the residence of the head of all the great Buddhist hierarchy, the Dalai lama, who is represented in the flesh by a ...
Lhasa, Norbu linga Palace, Summer Residence of Dalai Lamas
This photograph shows the main entrance to the park of the Norbu Linga palace (the summer residence of the Dalai Lama) in Lhasa, viewed from the east. It is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. Norbu Linga is also seen as Nurbu Linga, Norbu Lingka, Norbulingka, Nerbuling K'ang, and Nor-bu Ling in other sources. In Tibet (1890), W.W. Rockhill writes: “S.W. of Potala is the Nerbuling k ...
Lhasa, Potala Palace from the East
This eastern view of Potala (the palace of the Dalai Lama) in Lhasa is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. In The Buddhism of Tibet or Lamaism (1899), L.A. Waddell writes of the origins of Potala: “In order to consolidate his new-found rule, and that of his church in the priest-kinship, this prelate [Nag-wan Lo-zan, head of De-pung monastery], as we have seen, posed as the deity Avalokita-in-the-flesh, and ...
Lhasa, Potala Palace from West-Northwest
This photograph shows a view of Potala (the palace of the Dalai Lama) in Lhasa, seen from the west-northwest. The photograph was taken on the route to Drepung monastery (also seen as De-Pung, De-p’ung, Debang, Drabung, Dabung, Brebung, or Brasbung in other sources). It is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. The photographer, Ovshe (O.M.) Norzunov, notes: “the birds seen on the ground are but cocks, brought thither ...
Lhasa, Potala Palace and Marpori (Red Mountain) from the West
This view of Potala (the palace of the Dalai Lama) and Marpori (red mountain), seen here from the west, is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. In the 1901 article, “Lhasa,” T.H. Holdich writes: “Religious worship of the great gods has, the world over, been principally conducted in high places; mountain-tops have ever been their favorite abodes. [. . .] At an early date in the history of Buddhism, the cult of ...
Lhasa, Potala Palace from the South
This view of Potala (the palace of the Dalai Lama), seen here from the south, is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. A note provided by the photographer, Ovshe (O.M.) Norzunov, states: “The large dark (de facto red) building on the top of the hill is the Phodang Marpo or the Red Palace [described by] Sarat Chandra Das [in Journey to Lhasa and Central Tibet (1902)]. The main southern ...
Lhasa from the North
This view of Lhasa from the north is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. The large dark building behind a white one in the foreground is the Gah-ldan K'an-sar Palace (also seen as Gadan Kansar, Gadan-khangsar, Kaden Khansar, Kande Kansar, Kande Kanzer, and Kang-da Khangsar), which was the palace of the Tibetan kings up until 1751. Sarat Chandra Das writes in Journey to Lhasa and Central Tibet (1902): “In ...
Lhasa, Potala Palace from North-Northeast
This view of Potala (the palace of the Dalai Lama), seen from the north-northeast, is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. A note provided by the photographer, Ovshe (O.M.) Norzunov, states: “On the roof of Phodang Marpo [the Red Palace] are seen four shrines with (gilded) roofs in Chinese fashion. Half-way up the hill is a low, round, tower-like building, where those coming on horseback to the palace the ...
Château de Saint-Cloud: Southeastern Pavilion. View from the Main Lounge
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Château de Saint-Cloud: Main Southern Stairway
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Palais Royal
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Tuileries Palace; Garden View
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Tuileries Palace; Pavillon de Flore
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Tuileries Palace; Clock Pavilion
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Tuileries Palace; Stairway Leading to the Pavillon de Flore
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Courtyard of the Tuileries
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Tuileries Palace; Main Hall, Garden Side
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Château de Saint-Cloud; Western Side
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Tuileries Palace; Main Hall, and Place du Carrousel
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Château de Saint-Cloud: Northeastern Pavilion
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...