Narrow results:
Place
- Europe (14)
- East Asia (5)
- Central and South Asia (3)
- Latin America and the Caribbean (1)
Time
- 1850 CE - 1899 CE (17)
- 1900 CE - 1949 CE (3)
- 1500 CE - 1699 CE (2)
Topic
- History & geography (20)
- Social sciences (16)
- Arts & recreation (5)
- Technology (1)
Additional Subjects
- Cannons
- Memory of the World (16)
- Franco-Prussian War, 1870-1871 (11)
- Barricades (10)
- Soldiers (10)
- Place Vendome (Paris, France) (5)
- Cities and towns (4)
- Ordnance (3)
- Rue Castiglione (Paris, France) (3)
- Plazas (2)
- Soldiers in art (2)
- Ammunition (1)
- Armies in art (1)
- Art objects (1)
- Aurangzeb, Emperor of Hindustan, 1618-1707 (1)
- Battles (1)
- Cannon balls (1)
- Chinese (1)
- Domes (1)
- Fences (1)
- Flags (1)
- Fortification (1)
- Forts and fortifications (1)
- Galleries and museums (1)
- Guards (1)
- Horseback riding (1)
- Interiors (1)
- Islamic architecture (1)
- Kings and rulers (1)
- Mercenary troops (1)
- Mogul Empire (1)
- Naval battles (1)
- Photographic surveys (1)
- Rue de la Paix (Paris, France) (1)
- Rue des Rosiers (Paris, France) (1)
- Russo-Japanese War, 1904-1905 (1)
- Sailors (1)
- Satires (Visual works) (1)
- Sepulchral monuments (1)
- Street scenes (1)
- Tombs (1)
- Turks (1)
- Volga River Region (1)
- War damage (1)
- Weapons (1)
- Woodcuts (1)
Language
- Hindi (1)
- Japanese (1)
- Portuguese (1)
Institution
22 results
|
|
Battery of the Montmartre Hills
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Rue des Rosiers: Montmartre Hills
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Place Vendôme
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Place Vendôme; Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Place Vendôme; the Left Side of the Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Place Vendôme; the Right Side of the Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Place Vendôme; the Right Side of the Barricade in the Rue de la Paix
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Porte Maillot. The Great Battery from the Left. May 14th, 1871, 5:30 AM, under Fire of Mont Valérien
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Porte Maillot. The Great Battery from the Right. May 14th, 1871, 5:30 AM, under Fire of Mont Valérien
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Military Post #9, near the Porte d'Auteuil
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
Progress on the Porte Maillot
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
|
|
|
The Battery at a Fort in Bahia
The Thereza Christina Maria collection is composed of 21,742 photos assembled by Emperor Pedro II (1825-91) throughout his life and donated by him to the National Library of Brazil. The collection covers a wide variety of subjects. It documents the achievements of Brazil and Brazilians in the 19th century and also includes many photographs of Europe, Africa, and North America. The Fort of San Marcelo, also known as the Sea Fort, is located on a slab of land in the Bay of All Saints off the coast of Bahia ...
|
|
|
Four-Wheeled Vehicle with Chinese Artillery. Lanzhou, Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
|
|
|
Three-Wheeled Wooden Vehicle with Chinese Dragon Artillery (Longshen Pao). Lanzhou, Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
|
|
|
Three-Wheeled Wooden Vehicle with Chinese Artillery. Lanzhou, Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
|
|
|
Troops Carrying Flags in Military Formation, Preceded by Four Cannons. Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
|
|
|
Antiquities of Samarkand. Mausoleum of the Saint Sheikh Nuredin Basir Kutbi-Chaardakhum. General View from the South
This photograph of a mausoleum at the Bukhara emir’s palace in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage. At the center of this view is a mausoleum dedicated to the spiritual leader Sheikh Nuredin Basir. Although lacking the complexity of 15th-century centralized ...
|
|
|
Sentry at the Palace, and Old Cannons. Bukhara
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Museum. Iona's Room. Rostov Velikii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Russian Sailors Making Cannon Balls for Their Battleship’s Guns
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
|
|
|
Soldiers with Cannon Gathered outside Village, Circa 16th Century
This 1564 engraving is a print from an original work by the great German artist Albrecht Dürer (1471–1528). It depicts mercenary troops known as Landsknechte, literally “servants of the country,” gathered near a large cannon on a road outside a village in the valley. These figures have been identified as Ottoman Turks, who began to appear with increasing frequency in European engravings of the late 15th–early 16th century, following the capture of Constantinople by the Turks in 1453. The Dürer print includes heraldic symbols of Nuremberg on the ...
|
