30 results in English
Syr Darya Oblast. City of Khodzhend. Market Square
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Captured Guns at Ali Masjid
This photograph of artillery pieces captured by British forces in the Battle of Ali Masjid is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. In the battle, which took place in November 1878, a British and Indian force led by General Sir Samuel Browne (1824–1901) won a victory over the Afghan Army and tribesmen led by Gholam Hyder Khan. Browne captured the fort at Ali Masjid and then marched to Kabul, prompting the Afghan amir, Sher ʻAlī Khān (1825–79 ...
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Captured Guns, Kabul
This photograph of Afghan artillery captured during the British occupation of Kabul in October–December 1879 is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. Sir Frederick Roberts (1832–1914), the commander of the Kabul Field Force, brought at least 20 field guns (usually horse-drawn mobile cannons) with his army during the conquest and occupation of Kabul during the second phase of the war. His move against Kabul was sparked by the assassination in September 1879 of Sir Pierre Louis Napoleon ...
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Guns Captured at the Peiwar Kotal. Parked at Kohat
This photograph of captured Afghan artillery pieces at Peiwar Kotal is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. Mobile field guns of various sizes are arrayed in front of a line of British tents. In the foreground is a row of trees, probably watered from the irrigation ditch alongside. Peiwar Kotal was the site of a battle in late November 1878 between British forces under Sir Frederick Roberts (1832–1914), who outmaneuvered Afghan forces under an unknown commander. The result ...
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Elephant and Mule Battery ("Dignity & Impudence")
This photograph of an elephant and mule battery is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. The mule team on the left side of the photograph would have hauled supplies or towed the small field gun, while the elephants towed the larger gun. The men in the photograph are a mix of British soldiers and Indian sepoys. The group kneeling around the smaller, muzzle-loaded field gun is preparing to fire after the soldier at front left has used the ramrod ...
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Artillery Square, Kandahar
This photograph of British Army artillery unit in Kandahar is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. A large citadel, possibly Kandahar Bala Hissar (High Fort), dominates the skyline of the photograph, while the Kirka Sharif (Mosque of the Sacred Cloak) is visible in the left background. British soldiers are encamped across the square, near their light and heavy field guns. The Second Anglo-Afghan War began in November 1878 when Great Britain, fearful of what it saw as growing Russian ...
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Battery of the Montmartre Hills
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Rue des Rosiers: Montmartre Hills
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme; Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme; the Left Side of the Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme; the Right Side of the Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme; the Right Side of the Barricade in the Rue de la Paix
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Porte Maillot. The Great Battery from the Left. May 14th, 1871, 5:30 AM, under Fire of Mont Valérien
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Porte Maillot. The Great Battery from the Right. May 14th, 1871, 5:30 AM, under Fire of Mont Valérien
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Military Post #9, near the Porte d'Auteuil
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Progress on the Porte Maillot
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Front View of the Church of Saint-Eustache, Occupied by the Insurgents
This engraving depicts a scene from the rebellions of 1837−38 in Canada, which were sparked by dissatisfaction with the political status quo. Discontent raged in particular over British dominance of the affairs of what were then still two separate colonies, Lower Canada (the southern portion of the present-day province of Quebec) and Upper Canada (the southern portion of the present-day province of Ontario). In the rebellion, the reform leaders of Lower Canada, the most prominent being Louis Joseph Papineau (1786−1871), drew on long-simmering political tensions to recruit a ...
The Battery at a Fort in Bahia
The Thereza Christina Maria collection is composed of 21,742 photos assembled by Emperor Pedro II (1825-91) throughout his life and donated by him to the National Library of Brazil. The collection covers a wide variety of subjects. It documents the achievements of Brazil and Brazilians in the 19th century and also includes many photographs of Europe, Africa, and North America. The Fort of San Marcelo, also known as the Sea Fort, is located on a slab of land in the Bay of All Saints off the coast of Bahia ...
Four-Wheeled Vehicle with Chinese Artillery. Lanzhou, Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
Three-Wheeled Wooden Vehicle with Chinese Dragon Artillery (Longshen Pao). Lanzhou, Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
Three-Wheeled Wooden Vehicle with Chinese Artillery. Lanzhou, Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
Troops Carrying Flags in Military Formation, Preceded by Four Cannons. Gansu Province, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
Antiquities of Samarkand. Mausoleum of the Saint Sheikh Nuredin Basir Kutbi-Chaardakhum. General View from the South
This photograph of a mausoleum at the Bukhara emir’s palace in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architectural heritage. At the center of this view is a mausoleum dedicated to the spiritual leader Sheikh Nuredin Basir. Although lacking the complexity of 15th-century centralized ...
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Give Your Money for Victory: Victory Means Peace
This World War I poster urges Italians to contribute their money to the cause of victory, which will bring peace. The poster shows a cannon resting on a pile of coins, pointing upwards toward the mountains. After entering the war on the side of the Allies in May 1915, Italy mainly engaged in fighting the forces of the Central powers (Austria-Hungary and Germany) along its mountainous northeastern frontier with Austria-Hungary. This poster was sponsored by the Banca Italiana di Sconto (Italian Discount Bank), a financial institution that was founded in ...
Contributed by Library of Congress
Sentry at the Palace, and Old Cannons. Bukhara
After the Russian conquest of Samarkand in 1868, the Emirate of Bukhara remained nominally independent but in fact became a Russian protectorate linked to Russian settlements by the Trans-Caspian Railway. In contrast to Samarkand, where Western influence was much in evidence, in Bukhara the traditional culture and appearance remained relatively intact. Seen here is a guard standing at attention in a snow-covered lane near the palace of the emir of Bukhara. The guard holds a saber in his right hand. The winter uniform is of Russian design. Behind the guard ...
Contributed by Library of Congress
Museum. Iona's Room. Rostov Velikii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Russian Sailors Making Cannon Balls for Their Battleship’s Guns
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
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Soldiers with Cannon Gathered outside Village, Circa 16th Century
This 1564 engraving is a print from an original work by the great German artist Albrecht Dürer (1471–1528). It depicts mercenary troops known as Landsknechte, literally “servants of the country,” gathered near a large cannon on a road outside a village in the valley. These figures have been identified as Ottoman Turks, who began to appear with increasing frequency in European engravings of the late 15th–early 16th century, following the capture of Constantinople by the Turks in 1453. The Dürer print includes heraldic symbols of Nuremberg on the ...
Contributed by Brown University Library
Emperor Aurangzeb at the Siege of Golconda, 1687
This gouache painting was created by an unknown Indian artist sometime in the mid-to-late 18th century, but it depicts an earlier event: the siege of the city of Golconde in south-central India by the last great Mughal emperor, Aurangzeb (reigned 1658–1707). Golconde was famous for its fort, palaces, factories, and ingenious water-supply system, as well as the legendary wealth from the city’s diamond mine. Aurangzeb was Sunni, while the rulers of the Deccan were Shia who accepted the suzerainity of the shah of Persia and resisted Mughal expansionism ...
Contributed by Brown University Library