77 results in English
Peresopnytsia Gospel, a Monument of the 16th Century Renaissance Art from South Russia
This work is devoted to one of the most important and beautifully decorated East Slavic manuscripts, the Peresopnytsia Gospel created in the mid-16th century, partly at the Monastery of the Mother of God in Peresopnytsia, Volyn, and partly at the Monastery of the Holy Trinity near L’viv, both in present-day Ukraine. The present book, by Alexander Gruzinskii, covers the history of the gospel, its ornamentation, and graphics. The first part focuses on the origin of the Peresopnytsia manuscript, which was rediscovered in 1830s by Slavist scholar Osip Bodjanskij. The ...
Treatise of the World's Creation
This manuscript, which contains a Tractatus de creatione mundi (Treatise on the World's Creation) from the Book of Genesis followed by a narration of the Passion of Christ (folios 99r–128v), is one of the most significant examples of late-13th-century Sienese illumination. The pictures, partly watercolor drawings and partly proper illuminations, were made by an extremely sophisticated Sienese artist who was heavily influenced by Transalpine miniaturists and active from around 1290 through the next decade. The illustrations, sketched by a fast, concise hand, stand out for their strikingly smooth ...
Poem Concerning the Departure of the Magi
This 15th-century manuscript, in Renaissance script, contains a poetic composition (De profectione Magorum adorare Christum et de innocentibus interfectis ab Herode) by a "Gabriel Volaterranus." The author was in all likelihood Gabriello Zacchi da Volterra, the archpriest (acting dean, vicar to the bishop) of the cathedral, who was from a culturally sophisticated background and died in 1467 at the age of 33. The author dedicates the work to Tommaso del Testa Piccolomini, the secret assistant of Pope Pius II (folio 132r), to whom Pius had granted the privilege of kinship ...
Beato of Liébana: The Codex of Fernando I and Doña Sancha
Around the year 776, a monk by the name of Beato or Beatus, possibly the abbot of the monastery of Santo Toribio de Liébana, wrote a work entitled Comentarios al Apocalipsis (Commentary on the apocalypse), which had an extraordinary success in the following five centuries. Thanks to his great erudition, Beato combined in this text, as a summa, many commentaries on the topic of the apocalypse by such authors as Saint Irenaeus of Lyon, Saint Gregory the Great, Saint Isidore of Seville, and the 4th-century scholar Ticonius. The genre of ...
Contributed by National Library of Spain
Psalter of Frederick II
This remarkable illuminated psalter decorated in the Byzantine style was commissioned by the Holy Roman Emperor Frederick II of Sicily (1194–1250) for his third wife, Isabella of England (1214–41). Frederick married Isabella in 1235. By design and execution, the manuscript illuminations combine the color palette of Byzantium with the stylistic rendering of the plasticity of the human body common to the Italian school of the period. Probably executed at the scriptorium in Acri, a hill town in Calabria, the manuscript is decorated with a full-page initial letter encompassing ...
Apostle Lectionary
The Apostle Lectionary, written on parchment in the second half of the 13th century, is one of the important linguistic sources delimiting the early (Preslav) from the later (Athonite) redaction of this liturgical book. The lectionary contains the portions of scripture, the lessons, to be read at divine service on particular days of the church calendar. This manuscript is remarkable for the completeness of the readings from the Acts of the Apostles and the Epistles, and for its detailed menologion, a monthly calendar indicating the feast days of saints that ...
Dobreisho Gospel
This parchment manuscript, of which only a part has survived, is from the first quarter of the 13th century. The year 1221 was written on the manuscript at a significantly later date and may have been copied from an original colophon by a later owner. Known as the Dobreisho Gospel, the manuscript is an important witness to the history and early development of the Bulgarian language. Of particular interest is the rich illumination, including two full-page miniatures of the evangelists Luke and John. The portrait of the latter is accompanied ...
Banitsa Gospel
The Banitsa Gospel, written on parchment in Church Slavonic in the late 13th century, is one of the manuscripts testifying to the end of the anonymity of Bulgarian men of letters at around this time. The colophon indicates that the scribe who made the manuscript was the priest Ioann at Saint Nicholas Church in the village of Banitsa (presumably in the Vratsa region of present-day northwestern Bulgaria). The characteristic script and the ornamental illumination, elaborated in black, red, and yellow ink, reflect a local manuscript tradition. The menologion (calendar) includes ...
Rosary and Service Dedicated to the Blessed Virgin Mary and Other Devotions Combined in Honor of the Most Holy Trinity and in Worship of the Most Venerable Queen of the Heavens
Rosarium et Officium Beatae Mariae Virginis (Rosary and service dedicated to the Blessed Virgin Mary), a Latin devotional book published in Vilnius, Lithuania, in 1678–79, is regarded as one of the rarest and most important Belarusian publications of the 17th century. The book was created by Oleksandr Tarasevych (circa 1640–1727), an outstanding master of book design, engraving, portraiture, and heraldic and panegyric printing, whose best works compare favorably with those of the great West European artists. Tarasevych created his most innovative works, including the prints for Rosarium, in ...
Gospel of Saint Mark
This manuscript copy of the Gospel of Saint Mark can be dated to the 18th century. The text is copied clearly and enclosed in a double-lined frame in red. The folios are numbered with Coptic numerals. The manuscript has many marginal notes and Old Testament references in Arabic, with Coptic numerals employed for chapter and verse citations. The marginalia may have been added by Wadi’ Muftah, whose name appears on the front endpapers. The text is complete and is in excellent condition. The binding is brown leather over boards with ...
Gospel of Saint Luke
This manuscript of the Gospel of Saint Luke can be dated to the 18th century. The text is written clearly and enclosed in a double-lined frame in red. The folios are numbered with Coptic numerals. The manuscript has many marginal notes and Old Testament references in Arabic, with Coptic numerals employed for chapter and verse citations. The marginalia may have been added by Wadi’ Muftah, whose name appears on the front endpapers. The text is complete and is in excellent condition, although the last page is copied in a different ...
Gospel of Saint John
This Arabic manuscript of the Gospel of Saint John dates from the 18th century. The text is written clearly and enclosed in a double-lined frame in red. The folios are numbered with Coptic numerals. The manuscript has many marginal notes and Old Testament references in Arabic, with Coptic numerals employed for chapter and verse citations. The marginalia may have been added by Wadi’ Muftah, whose name appears on the front endpapers. The text is complete and is in excellent condition, although the last page is copied in a different hand ...
Epistles, Gospels, and Popular Readings in the Tuscan Language
This devotional book in Italian ('the language of Tuscany'), published in 1495 by Piero Pacini da Pescia (active, circa 1495-1514), is considered the greatest Florentine illustrated book of the 15th century. It contains 144 large woodcuts, all but eight original to this text, 24 small images of saints and prophets, and a series of 14 different border styles. The large number of images, along with the quality of the designs and execution, make this work a treasure of Florentine design and one of the truly important sources for the study ...
Contributed by Library of Congress
Partial Hebrew Bible
This manuscript, possibly a remnant of a complete Hebrew Bible, includes books from the Nevi’im (Prophets) as well as the books of Chronicles and Psalms from the Ketuvim (Hagiographa or writings) section of the Bible. (The tripartite division of the Hebrew Bible includes the Torah, the Prophets, and the Hagiographa.) It includes full vocalization and accentuation, as well as some Masorah Parva notes. The latter are very brief notes on the side margins or between columns, which are part of the Masorah, the collection of critical notes, compiled in ...
Psalms of David. Third Volume of the Bible
This codex is the third volume of a three-volume Bible commissioned in Italy by King Matthias Corvinus of Hungary (1443–90) for his library. The manuscripts were copied by Antonio Sinibaldi or his pupil Alessandro Verazzano, probably in 1489−90. All three volumes were left unfinished, at least as far as the illuminations are concerned. At Matthias Corvinus’s death, Lorenzo de’ Medici, known as Lorenzo il Magnifico, incorporated the books into the Medici collection. This volume, which is known as Corvinian Psalter, contains the complete New Testament, preceded by ...
The Lectionary (Orsha Gospel)
This gospel, believed to have been created in Polotsk (present-day Belarus) in the second half of the 13th century, is one of the oldest monuments of the Cyrillic Slavonic alphabet and one of the most ancient decorated Belarusian manuscripts. It contains two multicolor miniatures with gilding portraying the evangelists Luke (folio 42 verso) and Matthew (folio 123 verso). The miniatures reflect the influence of the early Palaeologian (relating to the last Byzantine dynasty, reigned 1259–1453) Byzantine style in old Belarusian art. The images are vividly depicted in bright colors ...
Kyiv Gospel
The Kyiv Gospel was created in 1411 by a monk called Makarii in the Pustynno-Mykolaivskyi Monastery in Kiev, by order of the monk Ionah Bolakyrev, as recorded in one of the historic inscriptions on the work. This copy is one of the few 15th-century manuscripts from Kiev that specifies where it was made. The Gospel is known as a paleographic specimen of the “younger” semi-uncial script in Ukraine. Two headpieces of simple composition, headings, and initials are executed in dark-brown ink and vermilion. The manuscript was restored and bound in ...
Book of Hours
This finely illuminated and iconographically rich book of hours was made in England at the end of the 13th century. The manuscript is incomplete and mis-bound. The original sequence of the parts of the manuscript cannot be reconstructed with certainty. The Abbreviated Hours were followed by the Hours of the Holy Spirit, the Seven Penitential Psalms, the litany and collects, the Fifteen Gradual Psalms, the Office of the Dead, and the Hours of Jesus Crucified. Whether the Prayers to the Crucified Christ, which were followed by the lections in the ...
Contributed by Walters Art Museum
Bible Pictures by William de Brailes
This manuscript comprises 24 leaves of Bible pictures by William de Brailes, an English artist active in Oxford in the middle of the 13th century. Seven leaves from the same set of images are now in the Musée Marmottan in Paris. These 31 leaves are all that remain of an image cycle that once contained at least 98 miniatures, and which was the longest cycle of Bible miniatures surviving from the 13th century in England. In all probability these Bible pictures were actually prefatory matter to a psalter (now Stockholm ...
Contributed by Walters Art Museum
Homilary
This richly illuminated 14th-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic of Cistercensian and Premostratensian nuns in northern Germany as early as circa 1320. Evidence for dating and localization is also found in the manuscript's relationship with a second homilary in the Bodleian Library (Oxford, Bodleian Library, Ms. Douce 185). Despite minor codicological differences—page layout, text-block dimensions, and ruling—it seems likely that the two ...
Contributed by Walters Art Museum
Loftie Hours
This mid-15th-century illuminated book of hours is written entirely in Dutch on fine parchment and is remarkable for its 18 grisaille miniatures. This technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands. The hand behind the miniatures in this manuscript has been identified with one of a group of artists known as the Masters of the Delft Grisailles. The manuscript has been grouped with more than a dozen related works, including New York, Morgan Library Ms. M.349; London, Victoria and Albert ...
Contributed by Walters Art Museum
Missal of Eberhard von Greiffenklau
The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the 15th century and features work by the Masters of Zweder van Culemborg, as well as the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made: The Hours of Catherine of Cleves of circa 1440 (Morgan Library & Museum, M.917 and M.945). The extremely elaborate Missal is illuminated with one full-page miniature, fifty-two column miniatures and sixty-eight historiated initials ...
Contributed by Walters Art Museum
Claricia Psalter
The Claricia Psalter was made for, and most likely by, a group of Benedictine nuns at the abbey of Saints Ulrich and Afra in Augsburg, Germany. Although the psalter itself, along with its calendar, dates to the late-12th or early 13th century, a number of texts and prayers were added in the mid-13th century. Most striking about the manuscript are its illuminations, which include a prefatory cycle, full-page miniatures, and historiated initials. While all are Romanesque in style, they vary greatly in quality and technique, and three or four different ...
Contributed by Walters Art Museum
Carrow Psalter
This English manuscript was made in East Anglia in the mid-13th century for a patron with special veneration for Saint Olaf, whose life and martyrdom are prominently portrayed in the Beatus initial of Psalm 1. Known as the Carrow Psalter, because of its later use by the nunnery of Carrow near Norwich, it is more accurately described as a psalter-hours, as it contains, among other texts, the Office of the Dead and the Hours of the Virgin. The manuscript is striking for its rich variety of illuminations, including full-page cycles ...
Contributed by Walters Art Museum
Prayer Book
This illuminated prayer book, made in the Netherlands in the early 16th century, contains Latin prayers and passages from the Gospels. Although small in scale, it is notable for its abundance of illuminations, with nearly 60 extant small miniatures. Full-color portraits embellish the prayers to the Virgin and suffrages, while the images within the Gospel narrative are rendered primarily in grisaille, a nearly entirely gray monochrome technique. The last folios include a trompe-l'oeil foliate margin and a Crucifixion that seems to be a later addition. Throughout the book, gold ...
Contributed by Walters Art Museum
Trebizond Gospels
This Gospel book was probably made in Constantinople in the mid-12th century and is remarkable for the fine execution and monumental quality of its full-page miniatures. The opening for the Gospel of Matthew is missing, but the other three Gospels are prefaced with a pair of miniatures each: the respective Evangelist on the left and a scene from the Gospel story on the right. The combination of Saint John with the Raising of Lazarus is one found only in this manuscript. The text was copied by two scribes with distinctly ...
Contributed by Walters Art Museum
Book of Hours
In the Byzantine world, this book would have been known as a horologion, or book of hours. Illustrated books of hours in Greek are extremely rare, and this example is one of only two surviving horologia with image cycles. The manuscript includes many full-page miniatures, which show interaction between the late-Byzantine and Gothic artistic styles. The manuscript may have been copied on the island of Crete, which in the 15th century was under Venetian rule. Unlike the images found in Western books of hours, which typically are drawn from the ...
Contributed by Walters Art Museum
Gospels
Dated to the tenth century, this manuscript is the oldest Armenian codex in North America and the fifth oldest among documented Armenian Gospel books. The principal colophon, on folio 2 verso, records that Sargis the priest completed the text in 415 (966). Within the framed area, the commission of the codex is described: a priest, whose name was replaced by the later owner T’oros, commissioned the work "as decoration and for the splendor of [the] holy church and for the pleasure of the congregation of Rznēr." As the codex ...
Contributed by Walters Art Museum
T'oros Roslin Gospels
This Armenian manuscript was made in 1262 by T’oros Roslin, the celebrated illuminator who extended the iconographic repertoire by defining a narrative Gospel cycle beyond the traditional portraits of the Evangelists. This signed manuscript was created at the scriptorium of Hromkla (present-day Rum Kalesi, Turkey), which became the leading artistic center of Armenian Cilicia under the rule of Catholicos Constantine I (1221-67). As an extensive colophon starting on folio 406 verso explains, T’oros created this manuscript under commission from the nephew of Constantine, a priest also named T ...
Contributed by Walters Art Museum
Reichenau Gospels
This mid-11th century Gospel Book is believed to come from the Abbey of Reichenau, on Lake Constance in Germany, on the basis of its script and illumination. The decoration of the manuscript places it in the so-called Luithar school of Reichenau. Its ornamental motifs compare very closely with those in Munich, Bayerische Staatsbibliothek Clm. 4453, and its palette is nearly identical to that in the Reichenau manuscripts of the Bamberg Cathedral Treasury. The work includes full-page miniatures of Saints Matthew, Mark, Luke, and John, and of the Holy Gospel of ...
Contributed by Walters Art Museum
Marginal Psalter
This manuscript, illustrated with 155 marginal paintings, is one the few surviving “marginal psalters,” in which images provide a pictorial commentary on the Biblical text. Other examples include the Khludov Psalter (circa 850, Moscow, State Historical Museum, Muz. 129), the Barberini Psalter (circa 1050, Vatican City, Biblioteca Apostolica Vaticana, Vat. Barb. Gr. 372), the Theodore Psalter (1066, London, British Library, Add. Ms. 19,352), and a Cyrillic psalter made in Kiev (1397, Saint Petersburg, National Library of Russia, cod. OLDP, F6). The marginal psalter of the Walters Museum was apparently ...
Contributed by Walters Art Museum
Corvey Gospel Fragment
This manuscript consists of four folios from a Gospel book that was likely made at the monastery of Corvey in western Germany during the mid-to-late tenth century. Dating to the reign of Otto I, these pages are a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke ...
Contributed by Walters Art Museum
Ethiopian Gospels
This Gospel book was written in Tigray, northern Ethiopia, in the early 14th century, and was once owned by the church of Saint George in Debre Mark'os. It was written by the scribe Mäṭre Krǝstos in the official liturgical language of Ethiopia, Gǝ‛ǝz. Most notable is its prefatory image cycle, which makes references to holy places in Jerusalem, such as Golgotha and the Holy Sepulcher, as they appeared in the sixth century. The manuscript therefore appears to be based on a sixth-century exemplar containing images connected to the ...
Contributed by Walters Art Museum
Ethiopian Gospels
This large Ethiopian Gospel book was made in the first half of the 16th century and is written in Gǝ‛ǝz, the traditional liturgical language of the Ethiopian Orthodox Church. Containing 11 full-page miniatures, six canon tables, and five elaborately ornamented ḥarägs (headpieces), this manuscript represents the golden age of what has been termed the Gunda Gunde style, named after a monastery in the district of Agame. The Gunda Gunde style is characterized by bold blocks of color defined by detailed, and often delicate, linear motifs. Figures are highly stylized ...
Contributed by Walters Art Museum
Dialogue in Praise of the Holy Cross
Dialogus de laudibus sanctae crucis (Dialogue in praise of the Holy Cross), written between 1170 and 1180, and once owned by the Benedictine monastery of Saint Emmeram in Ratisbon (present-day Regensburg), Bavaria, contains a text in praise of the Cross, which has come down only in this manuscript. The text, written by an unidentified author, is in the form of a didactic dialogue between “Magister” and “Discipulus,” the teacher and a pupil. It relates the history of salvation to the Holy Cross in the so-called typological exegetical tradition. The text ...
Contributed by Bavarian State Library
Gospel Lectionary
This gospel lectionary was created around 1130. A lectionary is a liturgical book, which—in contrast to usual gospel books containing the full texts of the gospels—comprises only those parts of the gospels that are used for the liturgical readings during the ecclesiastical year, presented in chronological order. The book features two pen-and-ink-drawn initials, several decorated initials in gold and silver ink, and four full-page miniatures, each showing one of the four Evangelists. The style and coloring of the miniatures follow a Bavarian tradition of book illumination, the so-called ...
Contributed by Bavarian State Library
Gospels for the Year
This lavishly illuminated manuscript represents a fine example of a gospel lectionary, a liturgical book that—in contrast to the usual gospel books containing the full texts of the gospels—comprises only those parts of the gospels that are used for the liturgical readings during the ecclesiastical year, presented in chronological order. The manuscript’s miniatures display the main events in the life of Jesus Christ, which correspond to the main religious feasts: from Nativity to Ascension to the descent of the Holy Spirit at Pentecost. All the miniatures are ...
Contributed by Bavarian State Library
Gospels of Luke and John
This manuscript containing the gospels of Luke and John originally formed a whole with another gospel book fragment now preserved in Weimar. The Weimar manuscript contains prologues, canon tables, the gospels of Matthew and Mark, and, at the end, the argumentum (introduction) and breviarium (summary) to Luke. Each gospel begins with a portrait of the evangelist and a full-page initial. The manuscript, of high quality, is clearly the work of an important scriptorium influenced by that at Saint Gallen; it may have been written at Mainz.
Contributed by Bavarian State Library
Gospels
This Gospel book from the Carolingian period is a product of the Mainz school of calligraphy and illumination, which was a successor to the palace (or court) school of Charlemagne. In its canon tables and portraits of the evangelists, it blends the Ottonian style from the tenth century with the traditions of the earlier Carolingian Ada group (late eighth century). The manuscript received its fine binding in the Ottonian period. Its most valuable parts are the two outstanding ivories. The baptism of Christ is represented on the front cover; on ...
Contributed by Bavarian State Library
Purple Gospel
This sumptuous manuscript, known as the Purple Gospel, is written almost entirely in gold and silver on purple-stained parchment. It dates from the first quarter of the ninth century. It contains architectural canon tables and decorated initials in gold and silver at the beginning of the texts of the four gospels and of the prologue to Mark. Four whole-page miniatures of scenes from the New Testament, on folios 24 and 197, were formerly thought to be Ottonian copies (early tenth to early 11th centuries) made from models from late antiquity ...
Contributed by Bavarian State Library
Gospel of Lorsch (Evangeliary of Udalrich)
This lavishly decorated Gospel lectionary belongs to a group of manuscripts in which is mentioned an Oudalricus peccator (Udalrich the sinner), who has been connected to Udalrich, abbot of the monastery of Lorsch, who died in 1075. It is decorated with golden display script in capitals, and initials in gold and silver. The main feasts (Christmas, Easter, Whitsun, and the feast of Saint Michael) are emphasized by full-size miniatures. The manuscript also displays four full-page framed miniatures depicting the apostles in the unusual order of Matthew, Luke, John, and Mark ...
Contributed by Bavarian State Library
Evangeliary of Michaelbeuern, Four Gospels with Illuminations of the Evangelists
The Gospel book from the Benedictine monastery at Michaelbeuern is considered a work of the Salzburg school because of its similarity to other Salzburg manuscripts. Whether it was brought to Michaelbeuern in the first half of the 11th century (when that monastery was being reestablished from Saint Peter’s in Salzburg) or later cannot be determined with certainty. Besides canon tables and lesser initials, it shows, on double leaves, which are interpolated but which always have formed part of the manuscript, four illustrations of the evangelists facing ornamental initial pages ...
Contributed by Bavarian State Library