88 results in English
The Defeat of Montaperti
This manuscript is an illustrated account of the events relating to the famous Battle of Montaperti of September 4, 1260, which is mentioned by Dante in The Divine Comedy. The battle resulted in the victory of the armed faction of the Ghibellines, supporting the Holy Roman Emperor and led by Siena, over the Guelphs, supporting the pope and led by Florence. The manuscript was written and illustrated throughout by Niccolò di Giovanni di Francesco di Ventura da Siena, who signed it and stated that he completed the text on December ...
Engagement in the Khost Country from a Drawing
This photograph of a drawing of a military engagement near Khost (now Khowst), Afghanistan, is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. The identity of the artist is unknown. The image appears to show a skirmish in late 1878–January 1879 that involved the Kurram Valley Field Force fighting against unidentified Afghan adversaries. In the foreground are massed British cavalry and dragoons (mounted infantry), while ahead of them infantrymen fire upon the enemy in the distance. A section of the ...
Contributed by Library of Congress
Map of the Battle of Catalan: Dated the 4th of January in 1817
This hand-colored manuscript map depicts the Battle of Catalan, January 4, 1817, in which the Portuguese Army, operating from southern Brazil, defeated forces led by José Gervasio Artigas, the leader in the struggle for Uruguayan independence. Portugal was tacitly allied with the government in Buenos Aires, which was seeking to retain its grip on the eastern province of Argentina that would become the independent country of Uruguay.
History of Islamic Conquests
Tarikh-e Futuhat-e Islamiyah (History of Islamic conquests) is a two volume work chronicling Islamic historical events, particularly wars, battles, and conquests. It is also known as Tawarikh-e Islam (History of Islam) and Futuhat-e nabawai (Conquests of the Prophet). This lithographic copy is a Persian translation from the original Arabic work by Sayyid Ahmad ibn Sayyid Zayni Dahlan (1816 or 1817−86), an eminent scholar of Mecca and Medina. The translation was a collective effort by “scholars of Herat . . . for an Afghan audience to know about the history of Islam.” It ...
Contributed by Library of Congress
A Fortified Pass. Colonel Wetherall Advancing to the Capture of Saint-Charles
This engraving depicts a scene from the rebellions of 1837−38 in Canada, which were sparked by dissatisfaction with the political status quo. Discontent raged in particular over British dominance of the affairs of what were then still two separate colonies, Lower Canada (the southern portion of the present-day province of Quebec) and Upper Canada (the southern portion of the present-day province of Ontario). In the rebellion, the reform leaders of Lower Canada, the most prominent being Louis Joseph Papineau (1786−1871), drew on long-simmering political tensions to recruit a ...
The Uganda Journal, Volume I, Number 1, January 1934
The Uganda Literary and Scientific Society was established at Entebbe, Uganda Protectorate, in 1923. Its main activity consisted of the reading of papers and the delivery of lectures on topics relating to Uganda. In 1933 the society moved its headquarters to Kampala and decided to issue a regular publication, The Uganda Journal. The journal’s declared aim was “to collect and publish information which may add to our knowledge of Uganda and to record that which in the course of time might be lost.” Four issues per year were published ...
First Nerchinsk Regiment of Zabaikal Cossack Troops
The First Nerchinsk Cossack Regiment was created in 1898 on the basis of the First Chita Regiment. In May 1899, the regiment was relocated from Chita to the Ussuriisk Region. In 1900, it was sent to Manchuria in connection with Russia’s participation in the European effort to quell the Boxer Rebellion, an uprising against foreign influence in China. The regiment later participated in the Russo-Japanese War of 1904-05 before returning to Chita after a six-year absence. This book is a historical outline of the regiment’s activities in 1898-1906 ...
Contributed by Russian State Library
St. Augustine: Part (Below Thirty Degrees Latitude) is on the Mainland of Florida, but the Sea Coast is More Low-Lying and thus Torn Away and Rendered Island-Like
This map is the earliest engraving of any city or territory now part of the United States. It also includes the dorado fish, one of the natural history subjects drawn by John White, governor of the first Anglo-American settlement in America, in the Hatteras region, then part of Virginia (now North Carolina). Sir Francis Drake’s 1585-86 raid on the West Indies picked up the Virginia settlers and returned them to Europe. In the course of the return voyage, the author of this view-plan was able to copy the figure ...
Contributed by Library of Congress
Map of the Battles of Bull Run Near Manassas
This printed map by the Office of the Chief Engineer of the War Department details the fighting at the Battle of Bull Run on July 21, 1861. Named for the creek or “run” in northern Virginia along which the fighting took place, Bull Run was the first major battle of the American Civil War. After halting several attacks ordered by Union commander General Irvin McDowell, the Confederates under General Pierre Beauregard launched a successful counterattack that drove the tired and inexperienced Union forces back toward Washington. The failure of the ...
Saint Augustine Map, 1589
This engraved hand-colored map or view-plan by Baptista Boazio depicts Sir Francis Drake's attack on Saint Augustine on May 28-29, 1586. Boazio, an Italian who worked in London from about 1585 to 1603, made maps to illustrate accounts of English expeditions and campaigns. He prepared a series of maps marking Drake's route for Walter Bigges' work on Drake's expedition to the West Indies, first published in 1588 and followed by later editions. This map highlights an episode from Drake's Caribbean expedition, pictorially portraying how the English ...
At the Front! Every Fit Briton Should Join Our Brave Men at the Front. Enlist Now
Until March 2, 1916, when the Military Service Act introduced conscription, Great Britain’s World War I army was comprised entirely of volunteers. Many of the most famous wartime posters were recruitment appeals. This 1915 poster, published in London for the Parliamentary Recruiting Committee, shows cavalry in battle, with horses reacting to an explosion in the foreground. It calls upon every physically and mentally fit Briton to enlist. The Parliamentary Recruiting Committee was set up following the outbreak of war in August 1914. A cross-party organization chaired by the prime ...
Contributed by Library of Congress
God Strikes at an Injustice with a Thunderbolt, and a Young Man with Bullets
This World War I poster showing a man with an axe and a rifle joining a battle is one of a series by the Czech artist Vojtěch Preissig (1873–1944) that encouraged Czech and Slovak volunteers living in the United States to join the Czechoslovak Legion to fight against Austria-Hungary and Germany. The Czech lands and Slovakia were at that time part of Austria-Hungary and leaders of the national independence movement believed that the cause of an independent Czechoslovak state could be furthered by fighting on the Allied side. Preissig ...
Contributed by Library of Congress
Lend the Way They Fight. Buy Bonds to Your Utmost
This World War I poster, showing an American infantryman hurling a hand grenade at German soldiers in a trench, invokes the image of Americans in combat on the Western front in France to urge citizens at home to purchase bonds to finance the war. The United States government issued bonds, also called Liberty Bonds, in 1917 and 1918, raising a total of $21.5 billion for the war effort. Many of the bonds were bought by banks and financial institutions as investments, but a massive public relations campaign was mounted ...
Contributed by Library of Congress
For Your Country. Subscribe to the Loan. Crédit Foncier d'Algérie et de Tunisie
This World War I poster, sponsored by the Crédit Foncier d'Algérie et de Tunisie, a financial institution serving Algeria and Tunisia, urges people to subscribe to the fourth national loan, issued by the French government in 1918. The poster shows Algerian and Tunisian soldiers on horses charging into battle. France recruited troops from its overseas territories and colonies, and between 1914 and 1918, the French army deployed 172,800 soldiers from Algeria and 60,000 soldiers from Tunisia to Europe. Initially, most colonial troops were volunteers, but as the ...
Contributed by Library of Congress
Assault and Seige of the Fortified City of Khodzhend from May 17 to 24, 1866: Drawn by the Topographer NCO Filippov
This map of the city of Khodzhent (Khujand, in Tajik) at the time of the Russian siege of May 17-24, 1866, is contained in Turkestan Album, one of the richest sources of visual information on the cultural monuments of Central Asia as they appeared in the 19th century. The multi-volume edition was produced in 1871-72 under the patronage of Konstantin P. von Kaufman, a Russian army general and the empire's first governor-general of Turkestan. Kaufman held that position from 1867 to 1886, during which time he played a major ...
Contributed by Library of Congress
The War against Coyoacan
The Tovar Codex, attributed to the 16th-century Mexican Jesuit Juan de Tovar, contains detailed information about the rites and ceremonies of the Aztecs (also known as Mexica). The codex is illustrated with 51 full-page paintings in watercolor. Strongly influenced by pre-contact pictographic manuscripts, the paintings are of exceptional artistic quality. The manuscript is divided into three sections. The first section is a history of the travels of the Aztecs prior to the arrival of the Spanish. The second section, an illustrated history of the Aztecs, forms the main body of ...
Contributed by John Carter Brown Library
Chapultepec Hill
The Tovar Codex, attributed to the 16th-century Mexican Jesuit Juan de Tovar, contains detailed information about the rites and ceremonies of the Aztecs (also known as Mexica). The codex is illustrated with 51 full-page paintings in watercolor. Strongly influenced by pre-contact pictographic manuscripts, the paintings are of exceptional artistic quality. The manuscript is divided into three sections. The first section is a history of the travels of the Aztecs prior to the arrival of the Spanish. The second section, an illustrated history of the Aztecs, forms the main body of ...
Contributed by John Carter Brown Library
The Battle of Azcapotzalco
The Tovar Codex, attributed to the 16th-century Mexican Jesuit Juan de Tovar, contains detailed information about the rites and ceremonies of the Aztecs (also known as Mexica). The codex is illustrated with 51 full-page paintings in watercolor. Strongly influenced by pre-contact pictographic manuscripts, the paintings are of exceptional artistic quality. The manuscript is divided into three sections. The first section is a history of the travels of the Aztecs prior to the arrival of the Spanish. The second section, an illustrated history of the Aztecs, forms the main body of ...
Contributed by John Carter Brown Library
Storming the Encampment at Gadan-Ola
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Pacifying and Receiving the Surrender of Yili
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Battle of Oroi-Jalatu
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Victory of Khorgos
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Battle of Khurungui
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Chief of Us Surrenders with His City
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Great Victory at Qurman
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Lifting the Siege of the Black River
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Battle of Tonguzluq
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Battle of Qos-Qulaq
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Battle of Arcul
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Battle of Yesil-köl-nor
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Khan of Badakhshan Submits Tribute
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Emperor is Presented with the Muslim Prisoners Taken During the Pacification
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Officers and Soldiers Who Distinguished Themselves in the Campaign Against the Muslim Tribes
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
A Victory Banquet Given by the Emperor for the Distinguished Officers and Soldiers
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Re-conquering Little Jinchuan
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Capturing Lamu and Rize Valley
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Capturing the Stone Fortress Tower at the Luobowa Mountain
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Capturing the Mountain Range at Yixi and Daertu
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Capturing the Ripang Mountain and its Region
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Capturing the Kangsaer Mountain Range
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Capturing the Musigonggake Valley
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Capturing the Stone Fortress Towers at Yixi, Jiasuo and Other Places
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...