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Antiphonary
This antiphonary (a book containing the choral parts of the Holy Office) was transferred to the Biblioteca comunale degli Intronati di Siena in 1811 from its place of origin, the Augustinian monastery of San Salvatore in Lecceto near Siena. By virtue of its specific liturgical function, the antiphonary, designed for the use of the monastic community, contains both the daytime and the nocturnal services. It was illuminated in 1442 as part of an extensive artistic program within the monastery promoted under priors Bartolomeo Tolomei and Girolamo Buonsignori. A bull by ...
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Municipal Library Intronati
Antiphonary
This document is a fragment of an antiphonary of unknown provenance, dating from the 12th century. It is written in Caroline minuscule. The initial letter “S” is an example of Romanesque codex painting. The scribe and the illuminator are unknown. The script is stylized into a band of palmette decoration. It is difficult to determine precisely the  historical context of the fragment, which could either have been produced in the Rhineland (Cologne) or the Danube River valley (Salzburg). The musical notation represents the German neume notation of the Salzburg circle ...
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Slovak National Library
Antiphonarium Bratislaviense
This illuminated folio with Metz Gothic musical notation comes from the liturgical codex of Canon Jan Han, who was a client of the Bratislava Chapter and the purchaser of this antiphonary. The illuminated initial “S” (Sanctum) with the first two martyrs of the Christian Church, Saint Stephen and Saint Lawrence, accompanied by Saint Vitus, is supplemented by the label Illorum effusus nos in patientia firmet (Their patience enabled us to stream forth), which dates the fragment to 1487. The bottom part of the acanthus decoration on the left margin contains ...
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Slovak National Library