- African Americans
- Lithographs (3)
- Slavery (2)
- Slaves--Emancipation--Southern States (2)
- United States--History--Civil War, 1861-1865 (2)
- African American churches (1)
- African Methodist Episcopal Church (Philadelphia, Pennsylvania) (1)
- Caricatures and cartoons (1)
- Children (1)
- Churches (1)
- Cities and towns (1)
- Correctional institutions (1)
- Ethnic groups (1)
- Families (1)
- Group portraits (1)
- House of Refuge (Philadelphia, Pennsylvania) (1)
- Irish Americans (1)
- Juvenile detention homes (1)
- Lincoln, Abraham, 1809-1865 (1)
- Migrant agricultural laborers (1)
- Mothers and children (1)
- Politics and government (1)
- Portrait photographs (1)
- Proclamations (1)
- Society of Friends (1)
- Street scenes (1)
- Women (1)
Type of Item
- English (5)
Initially, the Civil War between the North and the South was fought by the North to prevent the secession of the South and preserve the Union. Ending slavery was not a goal. That changed on September 22, 1862, when President Abraham Lincoln issued his Preliminary Emancipation Proclamation, which stated that slaves in those states or parts of states still in rebellion as of January 1, 1863, would be free. One hundred days later Lincoln issued the Emancipation Proclamation declaring “that all persons held as slaves” within the rebellious areas “are ...
Near Buckeye, Maricopa County, Arizona, Migrant African-American Cotton Picker and Her Baby
This photograph, taken by Dorothea Lange (1895-1965) in late 1940, depicts a migrant from the South and her baby on an Arizona cotton farm. Lange was one of the most important American photographers of the 20th century. After apprenticing in New York City, she moved to San Francisco and in 1919 established her own studio. During the 1920s and early 1930s, she worked as a portrait photographer. In 1932, wanting to see a world different from the society families she had been photographing, she began shooting San Francisco's labor ...
Bethel African Methodist Episcopal Church, Philadelphia
This print is an exterior view of the rough-cast second edifice of the Bethel African American Methodist Episcopal Church at 125 South 6th Street in Philadelphia. Pedestrians and parishioners, predominantly women, stroll the sidewalk and enter the building, which is adorned with a simple stone tablet inscribed "Bethel Church." Known as "Mother Bethel," the church was founded in the 1790s by free Blacks who broke away from Saint George’s Methodist Episcopal Church, where they faced racial discrimination. The church’s first building was dedicated in July 1794. The larger ...
Road to Philadelphy
This circa 1830 print by Edward Williams Clay (1799–1857) caricatures the pretentiousness and prejudice of early 19th-century Philadelphia Quakers toward people they regarded as their social inferiors, but it also mocks those seeking to imitate the Quaker elite. On a Philadelphia road in front of a small house with an open picket fence and a visitor arriving on horseback, a raggedly dressed, dark-skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his daughter, "I say, this isn't the road to ...
View of the Department for Colored Children of the House of Refuge
This print depicts the buildings of the Department for Colored Children of the House of Refuge in Philadelphia, including the girls’ dormitories, the girls’ dining and sewing rooms, the supervisors’ rooms and the main entrance, the boys’ dormitories, and the boys’ school rooms. A tall brick wall surrounds the rear and sides of the complex of buildings and two men and a boy are seen talking in the foreground. The lithograph is also used as one of a pair of illustrations printed on textile in 1858, as well as the ...
This engraving by the American political cartoonist Thomas Nast (1840–1902) celebrates the emancipation of Southern slaves with the end of the Civil War. Nast paints an optimistic picture of the future of free blacks in the United States. The central scene shows the interior of a freedman's home with the family gathered around a "Union" woodstove. The father bounces his small child on his knee while his wife and others look on. Between the mantel and the window hang a picture of Abraham Lincoln and a banjo. Below ...